Pattern #1 examines the structural relationship between light and shadow. Variations in illumination produce shifting geometrical shadows, demonstrating how changes in light intensity and angle directly affect spatial perception. The work highlights the interdependence of light and its absence, presenting shadow as an active element in the formation of visual patterns.

Pattern #2 investigates shadow as a dynamic product of fluctuating light. The projected forms expand, contract, and distort according to the modulation of brightness, emphasizing the role of shadow in defining spatial boundaries. By foregrounding these transformations, the work situates shadow not as a passive residue but as a critical counterpart in understanding the behavior of light.

This artwork represents the silent victims of sexual harassment. They are thrust into the spotlight, haunted by societal prejudice.

Artist: Almira Hafizha Wisnu, Theona Veda Saraswati, Siti Alya Namira Ibrahim, Isyana Permata Wibawati. Around 200 years from now, in a world where trees are finally extinct due to humanity’s greed and carelessness, the world falls into an apocalyptic state. Who would’ve thought the lack of clean oxygen could turn humanity into zombie-like creatures, hungry for meat and flesh? In order to save the world, a group of people must go out of their way to replant trees, all while trying to survive this zombie apocalypse, and bring back the world they once knew.

“Pulung” is a Javanese symbol of divine blessing or fortune descending upon a person or place. This work portrays two dragons facing and battling each other, representing the constant struggle to maintain balance in the cosmic order of life. In Javanese mythology, dragons are seen as guardians of universal harmony, and here they compete over the “pulung,” symbolizing the tension between opposing forces needed to sustain equilibrium. The green and brown tones of the dragons reflect elements of earth and life, emphasizing the deep connection between nature and human spirituality. One who receives the “pulung” gains blessing, while the other faces hardship, suggesting that balance involves both reward and consequence. Accompanied by the chant of Al-Barzanji, the work highlights that blessings come to those who honor God and nature. Ultimately, it reminds humans to cultivate inner goodness to live in harmony with the universe and the Divine will.