This work explore the fragile, fleeting nature of human existence. While time keeps moving, we all share one undeniable truth: our time in this world is finite. After we are gone, it is not the material aspects of our lives that endure, but the memories we leave behind. This artwork invites viewers to reflect on the imprint they will leave in the hearts and minds of others. Will it be acts of kindness, love, creativity, or a moment of connection that echoes in their absence? Ultimately, this work is a meditation on legacy and the power of memory. In a world where everything fades, it is our relationships, actions, and spirit that become our enduring mark. How we choose to live today shapes the memories of tomorrow. Picture were taken from the interior of Shah-i-Zinda necropolis, in Samarkand, Uzbekistan, Central Asia.

Film Link-- https://drive.google.com/drive/folders/1xx34efQp0hieYGrrOPXq5bQMLLSEcIXg?usp=drive_link Brief Synopsis-- \"If you play during the Maghrib prayer hour, you\'ll vanish forever.\" Such is the urban myth known to every Indonesian ever. Nine-year-old Karel ignores his mother\'s warnings and plays hide-and-seek with his friends at dusk. When he opens his eyes after the countdown, he finds himself in a strange, unfamiliar house, seemingly out of his world. Trapped inside the mysterious dimension, Karel must face a terrifying figure to find his way home, before it\'s too late.

The artwork \"Playground of the Future: Fusing Past and Present\" brings to life the transformation of traditional games into the digital era. In the image, two generations—a child and an adult—are seen playing hopscotch on a smartphone screen, illustrating how the essence of play has evolved. What was once a simple outdoor game has now been adapted to a high-tech world. This transition highlights that, even in a fast-paced digital age, we can carry the beauty of past experiences into the future. The game remains, but its format has changed, showing that technology can enhance, not erase, our connection to tradition. By blending past and future, embraces the sub-themes \"Beyond Borders\" and \"Hybrids.\" The boundaries between generations, between physical and virtual worlds, are dissolving. The simple joy of playing hopscotch now extends into the digital realm, offering richer and more accessible experiences for the modern generation

This photography subject is inspired by the old Indonesian pre-independence photos, usually depicting landscapes created under colonialism era that was juxtaposed with a single or few natives doing their daily chores, including street vendors. With this image, I decided to give it a title called \"Keep Moving\", as we can still see a street vendor moving along, next to a construction site in an urban setting, catching a glimpse of an everyday life in Jakarta as one of the busiest South East Asian country. It seems that this kind of lifestyle has become a staple and legacy from the past, surviving in modern times, refusing to be forgotten.

This work explore the fragile, fleeting nature of human existence. While time keeps moving, we all share one undeniable truth: our time in this world is finite. After we are gone, it is not the material aspects of our lives that endure, but the memories we leave behind. This artwork invites viewers to reflect on the imprint they will leave in the hearts and minds of others. Will it be acts of kindness, love, creativity, or a moment of connection that echoes in their absence? Ultimately, this work is a meditation on legacy and the power of memory. In a world where everything fades, it is our relationships, actions, and spirit that become our enduring mark. How we choose to live today shapes the memories of tomorrow. Picture were taken from the interior of Tilla Kari Madrasa, in Samarkand, Central Asia.

FyH+.012 A digital artwork created by using original photos and videos from \'FIELD your Heart (เซาฮม เงาเถียง)\', a site-specific architectural installation that reimagines deconstructing and reconstructing the traditional Thai architecture of \'Tiang Na\', along with the vibrant colours and weaving patterns found in traditional Isan textiles in the North-east region of Thailand.

In traditional Javanese culture, the word “woman” is an acronym for “wani ditata,” which means “dare to be regulated.” This archaic viewpoint is certainly no longer in accordance with the demands for equality that are increasingly being echoed. Modern women today are better recognized by the abbreviation “wani nata,” which means “dare to regulate,” In my personal point of view, this world will be beautiful when not just women, but all humans have a balance between daring to regulate and daring to be regulated.

In traditional Javanese culture, the word “wanita or woman” is an acronym for “wani ditata,” which means “dare to be regulated.” This archaic viewpoint is certainly no longer in accordance with the demands for equality that are increasingly being echoed. Modern women today are better recognized by the abbreviation “wani nata,” which means “dare to regulate,” In my personal point of view, this world will be beautiful when not just women, but all humans have a balance between daring to regulate and daring to be regulated.

A model in pink sits on a mint backdrop, holding a transparent blown-up balloon. Surrounded by colorful balls and floating bubbles, she drifts into a reverie, reminiscing about carefree childhood days filled with playful joy and laughter. The scene captures the essence of nostalgic moments, blending the past and present in a whimsical, vibrant tableau.