Hiruk pikuk urbanitas telah menuntut manusia untuk turut eksis dalam kelindannya. Hilangnya identitas manusia akibat dijubeli suguhan sosial media, menjadikan sebagian dari manusia urban memiliki multi identitas yang bahkan bukan otentik dimiliki oleh dirinya sendiri. Apakah saya, kamu, dia, sudah menjadi diri sendiri? Karya seni perhiasan, foto, dan koreografi diciptakan oleh Yusaira Farhia

The artwork, written in an Aksara Jawa (Javanese script) calligraphy as ASIA RAJA, translates to \"Asia is Sovereign.\" This piece depicts the power of Asia flowing like the waves of the sea—flowing, strong, and rhythmic. With shades of red, gold, and blue, its visual elements symbolize the vibrancy, majesty, and depth of Asian history and culture. The blending waves of color represent the spirit of optimism, local strength, and wisdom passed down from generation to generation, forming a solid foundation that transcends national borders. Through collaboration and an appreciation of local wisdom, Asian countries are envisioned as a unified force, contributing to a balanced and harmonious relationship with nature. This piece captures Asia\'s potential to shape a responsible and sustainable identity rooted in shared heritage and mutual respect.

The spice route legacy of our freedom. The irony is that the actual story start from the moment that everything has ended (Aaliya Mallick)

Decades have passed with memories that cannot be forgotten. Everyone has a timeline that ties in with a long history in life. With catastrophe, nightmare, and harshness keeping oneself in company, haunting until now. Thorns that would not disappear turned into the ground for blooming flowers.

This is only three of the many beautiful chinese culture charactered doors and gate along the Leight Streets at George Town Penang, one of them is the Gate to the Hainan Temple

Batik is a universal language that connects us with the world. Even though Batik has been recognized by UNESCO as a world treasure originating from Indonesia, until now the myth of Batik as part of Indonesia\'s cultural treasures is still a matter of debate, especially in many neighboring countries in Asia.

The \"cultuurstelsel,\" or Culture System, was a policy implemented by the Dutch colonial government in Indonesia from 1830 to around 1870. It required Indonesian farmers to dedicate a portion of their land and labor to the cultivation of cash crops—such as coffee, sugar, and indigo—for export, rather than for local food production. The system was designed to generate revenue for the Dutch colonial administration but often led to exploitation, poverty, and famine among the local population. It was eventually replaced due to its negative social and economic impacts

Wae Rebo, a UNESCO Heritage village located in the isolated mountain range of Flores Island, East Nusa Tenggara, Indonesia, is well-known for its perfectly cone-shaped architecture. It is also an ideal home for coffee. The traditional people of Wae Rebo cherish their coffee culture, especially as coffee becomes a very popular drink worldwide.

Latar merah menyala, jaringan kabel listrik yang rumit berdampingan dengan lampu jalan aroma kolonial. Bayang-bayang masa lalu dan masa kini menari dalam harmoni merah yang pekat.