Satria, a vocational school student, overhears a suspicious conversation between Agung and Farhan, two notorious bullies at school. They mentioned Bima, Satria\'s best friend, while showing off Rp20,000. Fearing for Bima\'s safety, Satria immediately looked for him. He found Bima behind the school, battered with bruises all over his body. Satria urged Bima to reveal who had attacked him, intending to take revenge, but Bima was too scared to do anything. When returning home from school, Satria and Bima argued until Bima left Satria. Suddenly, Agung and Farhan emerged from a narrow alley.

Taking inspiration from sites with expansive natural views seen through windows and a large tree trapped in a glass cube, we aimed to highlight the contrast between freedom and limitation. The tree, confined by walls and glass, longs to break free into the open nature. Despite being trapped, its determination to return to nature is strong. And so, as it grows, the roots continue to spread towards the window where the sun shines. The same applies to the projects of our students. They have undergone various processes to finally reach this point.

Film Link-- https://drive.google.com/drive/folders/1xx34efQp0hieYGrrOPXq5bQMLLSEcIXg?usp=drive_link Brief Synopsis-- \"If you play during the Maghrib prayer hour, you\'ll vanish forever.\" Such is the urban myth known to every Indonesian ever. Nine-year-old Karel ignores his mother\'s warnings and plays hide-and-seek with his friends at dusk. When he opens his eyes after the countdown, he finds himself in a strange, unfamiliar house, seemingly out of his world. Trapped inside the mysterious dimension, Karel must face a terrifying figure to find his way home, before it\'s too late.

A model in pink sits on a mint backdrop, holding a transparent blown-up balloon. Surrounded by colorful balls and floating bubbles, she drifts into a reverie, reminiscing about carefree childhood days filled with playful joy and laughter. The scene captures the essence of nostalgic moments, blending the past and present in a whimsical, vibrant tableau.

Drowning deep in the subsconscious realm, black represents the darkness in one\'s soul. The dragon, a Chinese mythical creature which represents protection and spiritual strength, is shown to have a deep connection with the girl, avoiding her from drowning in her own dread. Vivid red color shows passion and struggling spirit.

12 Indonesian Cultural Heritage listed by UNESCO consisting of Angklung, 3 Genre of Bali Dance, Wayang, Saman Dance, Pinisi Boat, Pencak Silat, Batik, Gamelan, and Papua\'s Noken. Ah, last but not the least for not being included in the artwork, allow me to add Pantun as well. \"Jalan-jalan pakai kebaya Jangan lupa pulang beli pepaya Jadilah generasi yang berdaya Bahu-membahu kita jaga budaya\" Festive as they are, but careful now. We keep moving forward in time, sailing the boat, crossing the sea in a journey. Take notes and preserve those beauty, so that you may freeze the time for those longing to see the moment of yesterday.

Berasal dari bahasa Bugis yang artinya “Beginilah Permulaan.” Sudah erat di benak kita, bangsa Indonesia, bahwa nenek moyang kita merupakan pelaut. Menjelajahi lautan, menerjang badai, dan menguasai samudra. Menjadi memori kolektif bangsa. Namun, nenek moyang kita bukan hanya seorang pelaut, melainkan juga insinyur yang handal. Kesadaran akan kearifan dan kecerdasan ini patut disuarakan demi membangun jati diri bangsa sebagai pionir contemporer. Menerjang badai masa kini bagai kapal Pinisi.

This poster design reimagines a traditional anti-propaganda pamphlet from the period of Japanese colonization in Indonesia. The original pamphlet\'s core message was to motivate young Indonesians to resist all forms of Japanese domination. The design for this reimagined poster draws inspiration from the risograph printing technique, using the red color as the symbol of bravery and blue color as the new symbol of resistance.

Barong is a panther-like creature and character in the Balinese mythology of Bali, Indonesia. He is the king of the spirits, leader of the hosts of good, mother of all spirit guarders in the mythological traditions of Bali. The figure’s mask hangs a beard of human hair decorated with frangipani flowers, in which the magic power of Barong is believed thought to reside. The figure also represents a symmetrical design which attract an equal amount of attention. This philosophy inspired me to make a symmetrical artwork referencing Barong as the main object. The colors of this artwork represent excitement and optimism which goes well with Barong\'s philosophy. Both colors and philosophy combined represents the \"power\" atmosphere.