A complex tapestry of the Javanese monarch has inspired the creation of this artwork. I raise an issue of how two noteworthy nobles from the Java kingdom, Amangkurat I and Hamengkubuwana IX, may face different fates and upbringings, despite the lavish lifestyle and privilege they own. Amangkurat, I was betrayed by his people due to his cruel demeanour and affiliation with VOC, which led him to an ironic end. At the same time, Hamengkubuwana IX is known for his devotion to the Indonesian Republic, taking a stance by stating that Yogyakarta is a part of the newly established nation, and unwaveringly supports the country thoughtfully and financially.

Dalam dunia penuh warna, cerita klasik Keong Emas menemukan bentuk baru. Sosok ini melambangkan transformasi, terjebak dalam kutukan namun dikelilingi harapan. Balon siput berwarna cerah menjadi simbol perjalanan menuju kebebasan dalam kehidupan yang terlahir kembali dari kegelapan menuju cahaya. Seperti Keong Emas, keajaiban menanti di balik setiap perubahan.

Karya ini menggambarkan polusi udara yang disebabkan oleh penumpukkan sampah masker yang digunakan saat pandemi Covid-19 hingga sekarang yaitu penyakit ISPA. Hal ini digambarkan dengan karakter saya yang terkurung didalam rumah masker dan tidak bisa merasakan udara yang sehat tanpa menggunakan masker.

History is not fixed. It\'s a mosaic of perspectives, constantly shifting and reassembling. We challenge the singular narrative, the accepted truth. We DECONSTRUCT the past, excavating the hidden, the silenced, the forgotten. We RECONSTRUCT a history that is inclusive, multifaceted, and honest.

RECONSTRUCT The past is not a static monolith. It is a collection of fragments, narratives, and perspectives in constant flux. We CONSTRUCT history by piecing together these fragments, interpreting their meaning, and building our understanding of the world. But these constructions are not absolute truths. They are susceptible to bias, interpretation, and erasure. To truly understand the past, we must dare to DECONSTRUCT existing narratives, critique dominant perspectives, and unearth marginalized voices. Iterating History is an ongoing process, a never-ending cycle of construction and deconstruction. Through this process, we forge a more nuanced, inclusive, and meaningful understanding of ourselves and the world around us. RECONSTRUCT history together, building a more just and conscious future.

The Legend of Mount Kelud & Lembu Suro in this story, Dewi KiliSuci was squeezed by proposals from two powerful kings who wanted to marry her, namely Mahesa Suro and Lembu Suro. This legend is often seen as a symbol of the strength of strategy and women\'s intelligence, and how power and supernatural powers can be defeated by wisdom. Mount Kelud, which is closely related to this legend, is a silent witness to the power of nature and history intertwined with myth.

This vibrant reimagining of the Indonesian folklore Tangkuban Perahu, the timeless legend comes to life through the bold and playful lens of pop art. Depicted in vivid, contrasting colors and sharp geometric patterns, By merging folklore with pop art, this artwork bridges the past and present, inviting a new generation to connect with Indonesia’s cultural heritage in a fresh, visually explosive way.

One of Indonesia\'s most popular traditional toys. Snakes and Ladders! Wouldn\'t it be fun if it was twice the size of the original?

Suling bambu, mainan sekaligus alat musik tradisional yang terbuat dari bambu, menyimpan melodi alam di dalamnya. Dibuat dengan tangan terampil, suling ini menghasilkan suara kicau burung yang merdu saat ditiup. Asal muasalnya tidak diketahui pasti, namun suling ini telah menjadi bagian dari budaya bermain anak-anak di pedesaan Indonesia selama berabad-abad. Lebih dari sekadar mainan, suling bambu adalah pengingat akan kekayaan budaya dan kearifan lokal Indonesia. Suara merdunya membawa kita kembali ke alam, membangkitkan imajinasi dan keceriaan masa kecil.